Hollywood Musical Essay

The Hollywood provides different melodic compositions that in some manner bear on the genres of melodious films and the trends of musical preferences at heart the fiat. Even with the same musical plastic film genre, certain marked up ontogenesis can be find excelling from Singing in the pelting in 1952 and the latest Hairspray last 2007.The trends of musicality, trends of conservatism to modernistic musical play, and the symbolisms of society present have greatly grow in different perspectives, such as classical to pop musicale, judder to rap music, conservative fashion to little detailed professional look, and so on Much has been changed and shifted as depicted through the movies of Singing in the Rain (1952), West slope Story (1961), Godspell (1973), Fame (1980) and Hairspray (2007) hence, these movies are considered as the main focal points of the discussion.The aim of the study is to compare and contrast each of the genre presented in all of these musical movies. Furthermore, the study considers the mutual influence that occurred between these movies and the government activity trends in society during the year of its making. Discussion Hollywood Musical bestride Hollywood musicals have always incurred popular support from various classes within the society, and these movies have undeniably influenced the statements and trends present in the society.Meanwhile, some of these movies, such as hairspray (racism), have obtained its plot from the current social issues manifesting in the society. Starting with the musical of Gene Kellys Singing in the Rain in 1952, the elementary trends that can be obtained relates to the rise of showbiz careers by the protagonist (Don Lockwood portrayed by Gene Kelly) of the story, while the antagonist (Lina Lamont as Jean Hagen) sabotages the success of Lockwoods musical career (Green and Schmidt, 1999 p. 70). The character of the movie can be prone mainly in a 1950s setup wherein conservatism ostensibly ex ists in the characters portrayals (deep wordings with lesser use of slang), clothing (overly formal suits from 1950s), and the conceit of the play, which somehow considers the trends of stardom in issues of musical entertainment in 1950s.Meanwhile, the genre of West Side story (1961) has obtained similar features with the latter musicale only in terms of romance played in a contemporary setting however, the overall conception has been revolutionized into a somewhat modernized issue of society, which has been gangsters and dance crazes (Green and Schmidt, 1999 p. 233). The movie portrays the apparent trends occurring within the society in terms of the group deviancies, gang wars, and accomplice organizations that has been blended with the context of love at primary site (Richard Beymer as Tony and Natalie Wood as Maria).The movie provides the distinction on how youth moves in early relationships and seeks peer influences rather familial presence. The next movie is Godspell in 19 73 can be considered in musical genre about ghostly and practical life issues. From the title of the movie itself, Godspell depicts the characteristics of Christian evangelism, which has occurred greatly during seventies under the promulgations of different famous religious preachers, Benny Hinn, Don Moen, etceteraThe musical of Godspell somewhat provides the theme of Christian messing forms wherein they employed less choreography, bodied distinct teachings of Christ Jesus, and the return of the youth to church fellowships (Burridge and Gould, 2004 p. 4). On the other(a) hand, the religious context of the film provides an enigmatic way of messaging the society about Christian orthodox and the need to unite.Most significantly, it is during 1970s when the historical triggers of Middle East Wars, racial discriminations, industrial revolution and various conflicts within the society are all present hence, the play utilizes religion and has shown the atavism of youth from rebelliou s perspective to an evangelical concept. Meanwhile, Fame in 1980 has provided a alone(predicate) and a total diversion of theme from the last three socially oriented movies. Fame considers the modern movement of arts and place of youth in the society, which is a total diversion from the earlier genre of romanticism and conservativism (LoBrutto, 2002 p. 22).This movie somehow illustrates similarities with Hairspray (2007) since this musical uses a classical setting in 1950s to 1970s but utilizes the concept of modern entertainment as well seen in the movie Fame. The social impacts of the last two movies involve concept of new wave, wherein the creative and modernistic means of musical is presented with less incorporation of serious social issues, but rather focusing on personal precepts. ConclusionEvidently, the five films presented in the discussion have shown evolution of genre from classical to modernistic or new wave categories. These involves the delineation or illustration o f societys condition, such as the first three films that based their plot in the occurring societal issues, and shifting or modification of themes, such as the ones viewed in Hairspray and Fame. The changes and shifts within Hollywood musical have always considered the trends present within the society.